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April last year, a time where Condé Nast, the giant publishing house of Vogue and Tatler but to name a few, was reporting an enormous investment into its digital platforms. Receptive design was hailed as the solution to bridging the gap between print and online, whilst in the mean time one of it’s own print publications was drowning in a saturated industry barely keeping it’s head above water. Read the rest of this entry »

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